Euphone™

Presentation

Global specialist in the manufacture of EUPHONE™ and acoustic sound synthesis

Global specialist in the manufacture of EUPHONE™ and acoustic sound synthesis


Welcome to the worlds' famous manufacture of euphones !

Frédéric Bousquet makes euphones of astonishing quality and beauty. Hearing one of his instruments for the first time is the sonic equivalent of discovering a new primary colour: it greatly expands the palette of sounds available to contemporary composers/performers

Jesse Stewart, composer/percussionist, Canada

Antériorités

En tant qu’instrument à friction, l’existence d’antériorités remonte tant à la famille des verrophones que des vergeophones, notamment violons à clous fabriqués durant le Haut Moyen-Age (circa 1680), qu’à la facture instrumentale traditionnelle des Mbira.

L’Euphon (euphone en français) est un instrument de musique original inventé par Pr. E. F. F. Chladni (1756-1827) en 1789 et achevé en 1790 ; qu’il considère comme une évolution de l’Armonica de Benjamin Franklin (1706-1790).

Ce physicien a théorisé la vibration des diapasons, et l'euphone peut être considéré comme une succession de diapason mise en vibration par des archets de verre.

Son fonctionnement acoustique (CHLADNI, E. F. F., Beiträge zur Akustik. Breitkopf und Hàrtel, Leipzig, 1821 fig. 39), exposé dès 1801 dans un dictionnaire des instruments de musique, est basé sur la mise en vibration par des archets de verre (b) de verges métalliques cylindriques (a), encastrées dans une table d’harmonie métallique. Le système de couplage est initialement assuré par une caisse de résonnance, mais encore par des pavillons acoustiques ou des tubes, divers et systèmes d’effets (plaque de réverbération, réverbération à filament ou à ressorts) peuvent être ajoutés à l’instrument.

Euphone m. (Du grec Bon ; son). 1819. 1823. 1839 Instrument de musique à frottement du genre de l’harmonica inventé par le docteur Chladni à Wittemberg en 1790. Il consistait en une caisse carrée d’environ trois pieds et haute de huit pouces, qui contenait 42 petits cylindres de verre dont le frottement et par suite la vibration, s’opérait sur un mécanisme intérieur (…). Extrait du dictionnaire des instruments de musique . Etude de lexicologie par Rowland Wright, 1941

De l'Euphone au Titanium Euphone, en passant par le cristal Baschet

Scientific research developed the work of E. F. F. Chladni, contributing to the evolution of metal harps.

In the 19th century, the work of Calhoun Deagan (1853-1954), Albert Marloye (1785-1874) and Professor Henri Bouasse (1866-1953) consolidated the development of the vergeophone family of instruments, culminating in the invention of the Waterphone by Richard A. Waters (1935-2013).

Based on his works, various evolutions of the Euphone were produced in Germany by Ludwig Buschmann (1805-1864) and Johann Christian Dietz (1773-1849). In Europe, the Euphone was produced by around ten instrument makers, who systematically renamed it the Chalypsonance, Uranion, Glass Harp or Bohemian Organ. Various acoustic horns and effects systems were added to the instrument.

In France, from 1955 onwards, it was regenerated and magnified by the sound sculptors François Baschet (1920-2014) and Bernard Baschet (1917-2015), alongside the composer and musicians Jacques Lasry (1918-2014) and Yvonne Lasry (1921), in the form of Lasry-Baschet sound structures and sculptures. It was christened a Lasry-Baschet glass organ (1955), then a crystal organ by Jacques Lasry, a crispette by François Baschet and a crystal by Bernard Baschet. Dr Frédéric Bousquet was trained in sound sculpture by the latter. From 1997 onwards, he studied the acoustic functioning of the euphone, reproducing and extending empirical and technical experiments.

frederic bousquet bernard Francois Baschet

New generation

It was in 2009, during a seminar at the Laboratoire d'Acoustique Musicale de Paris (UMR 7190, CNRS/Université Paris), that Frédéric Bousquet discovered the existence of euphone. François Baschet confirmed this by giving him a copy of his research diary.  

The academic rediscovery of the Euphone, materialised in 2010 by Frédéric Bousquet writing a Master2 thesis in musicology, offers considerable prospects for establishing the historiography of the instrument.

Frédéric Bousquet has designed the organotope, a tool that brings together organological data from the fields of instrument making extended to musical creation (repertoire, performers), transmission (know-how, instrumental technique) and prospective (transmission). He summarised his research in a doctoral thesis entitled ‘Une approche de la facture instrumentale du Titanium Euphone à travers l'étude de l'orgue de verre Lasry Baschet et du Cristal Baschet, étendue à celle de l'Euphon de E. F. F. Chladni’, defended at the Université Paris 8 in 2018. (https://theses.fr/2018PA080120)

This has considerably enriched the design and contemporary manufacture of the euphone. Within TitaniumSound, as a master craftsman in instrument making and a virtuoso of the instrument, Dr Frédéric Bousquet has access to know-how that is unique in the world. He is extremely pleased that the publication of his research work will engage a new generation of instrument makers in the production of the euphone, towards the consolidation of a dedicated repertoire.

Bousquet 3 générations

News

The euphone remains a rare instrument, but neither mythical nor legendary!

 

TitaniumSound is the leading manufacturer, with around sixty instruments designed and built in 30 years!

 

We have to consider the impact of the many sound databases regularly published without the manufacturers' agreement.

 

However, every day there is research and production involving materials, the study of the vibroacoustic behaviour of the instrument, the shapes of the acoustic horns, the transmission of sound by air or solid state in secondary sound generators, the creation of new effect systems, etc.

 

Compliance with health standards is essential.

 

For example, sound ecology requires us to stop using aluminium and a number of surface treatments (anodising, paint, etc.).

 

What's more, oxidation irreparably alters the instrument's accuracy, making sinusoidal sounds just awful to hear!

 

Find out more about us on the web: https://www.youtube.com/@titaniumsoundeuphone5169

 

Whether you're a freelance researcher or working in a laboratory, don't hesitate to contact us!

Services

Find on this site our news, as well as our proposals for services in instrument making, maintenance, tuning, musical playing, heritage and technical knowledge.

Since 1998, I have designed more than 40 concert euphones, more than anyone else, with and for as many fascinating artists, who have given a sublime tone to my life as a researcher and craftsman

Dr. Frédéric Bousquet, inventor and master craftsman in contemporary instrument making

Contactez-nous

Titanium Sound
Tel : +33 (0)6 32 67 07 96
E-mail :

Contactez-nous

Titanium Sound
Tel : +33 (0)6 32 67 07 96
E-mail :